Herb’s subjects often depict the difficult lives the people of the West led. The figures have a certain elegance and sense of classical composure in spite of the fact that they are not idealized. Details and accoutrements tell us about the subjects, their profession and their lives, so that each sculpture completes a piece of the story of life in the West. The beauty of imperfections is what we see, for it is the imperfections that reveal the hidden tales of the figures’ lives.
Asked about some of the philosophy behind his work, Herb states, “I feel that our attitude and our view of our future can only be determined by an examination of our ancestors, and the society they created. Just as a weather vane points toward the source of the wind, it must also point to the direction the wind is going. Likewise, we must focus our attention both ways to avoid losing the valuable lessons so painstakingly learned by those who came before us.”
Herb has won numerous awards, including the “Best of Show,” and the “Western Art Associates Kieckhefer Award,” as well as gold and silver medals in sculpture at the Cowboy Artists of America Show in Phoenix; the “Norris Foundation Award” at the Autry Museum in Los Angeles, California, and the “Leonard J Meiselman Memorial Award for sculpture at the National Sculpture Society in New York. Other honors of note include the installation of The Hungry Loop monument at Brookgreen Garden, Pawleys Island, South Carolina; a commission to sculpt Prince Albert of Monaco and Buffalo Bill for Monaco; commissioned to sculpt the Pioneer Award for the Academy of Country Music, Dick Clark Productions, Los Angeles, California, and commissioned to sculpt a life-size bust of President Gerald Ford for the Ford Amphitheater, Vail, Colorado.